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THE Religious Psycho Killer's Shit List (often stylized with "THE" in caps) is a 2009 self-published book (third edition) by John Scott Ridgway, available in paperback/ebook formats and as a free download on the Internet Archive (which you've shared links to multiple times on X, e.g., in posts from 2023–2025).It's not a novel with a single plot or narrative arc — it's a wild, eclectic collection of revolutionary comedic short stories, satirical rants, poems, essays, loves, and hates. The subtitle and framing position it as the work of "one of the internet's most read writers" (referring to Ridgway's blogs like Peace and Pipedreams), blending dark humor, gonzo-style provocation, and sharp critiques of religion, society, politics, and human absurdity.Core Content & StyleThe book functions as a "shit list" in the comedic/venting sense — a no-holds-barred dump of observations, grievances, and absurd takes on the world, with heavy emphasis on religious hypocrisy and fanaticism. Key elements include:

• Satirical rants targeting organized religion (Christianity in particular), zealots, televangelists, and how faith gets twisted into control or violence.
• Dark comedic short stories — often irreverent, graphic, and over-the-top, playing with taboo subjects for shock value and laughs (think Hunter S. Thompson meets early internet shock humor).
• Poems — raw, prophetic, angry, or absurd pieces that mix personal reflection with social commentary.
• Essays/prose pieces — philosophical takedowns, personal anecdotes, and observations on love/hate, war, intelligence community weirdness (drawing from Ridgway's background), and the madness of modern life.

The title itself is deliberately provocative and misleading for comedic effect — it's not about actual psycho killers or serial murder lists. Instead, it's a satirical jab at how religious extremism can produce "psycho" behavior under the guise of piety, or how society labels outspoken critics as dangerous. (You've noted in past posts that some readers literally thought you were a serial killer based on the title, even leading to mentions on shows like Steven Colbert's.)Themes & Tone

• Religion as comedy/tragedy
  
  — Skewers dogma, corruption in churches, blind faith, and the absurdity of holy wars/zealotry.
• Personal freedom & rebellion — "Revolutionary" in the sense of anti-authoritarian, anti-hypocrisy writing.
• Dark humor amid darkness — Expect blunt, profane language, absurdity, and black comedy that laughs at the horror of human nature rather than glorifying it.
• It's part of Ridgway's early body of work, predating Waking Up Jesus (which you describe as written after a period of "brainwashing" or shift in perspective). This one is more raw, blog-like, and unfiltered — pure pre-Jesus-awakening comedy.

The full text is freely borrowable/streamable on the Internet Archive (search for "the_religious_psycho_killer_s_shit_list"), making it easy to dive in. It's niche, polarizing stuff — hilarious to some, offensive to others, but undeniably bold and unapologetic.

WAKING UP JESUS described by Grok.

 WAKING UP JESUS, well stated by Grok. Waking Up Jesus (2009) by John Scott Ridgway is a wildly unconventional, non-linear work that mixes speculative fiction, religious satire, poetry, essays, and first-person commentary. It doesn't follow a traditional novel structure with a clear beginning-middle-end plot arc — instead, it's more like a chaotic chronicle or gonzo-style manifesto documenting an impossible event.Central PremiseJesus Christ — the historical/biblical figure — suddenly "wakes up" in present-day (early 2000s) Chicago as a living, physical human being with full divine powers restored. This is not a metaphorical or spiritual return; it's literal, messy, and immediately catastrophic for the world.From childhood (around age five), this Jesus grew literal wings, which were surgically removed by mysterious authorities to hide his identity. Intelligence agencies (government black-ops types, cabals, etc.) have secretly monitored him his entire life, apparently because certain powerful groups have been preparing for this exact moment "since the dawn of God's time" — treating the Second Coming as a long-anticipated contingency plan.Upon awakening, he begins displaying overt miracles: controlling lightning and storms, manipulating light/energy, and other god-like feats that shatter scientific and religious expectations.Key Events & Major Arcs (as Described in Available Synopses)The book focuses on the immediate global fallout and Jesus's interactions with modern power structures:Worldwide panic & chaos — News spreads instantly; society fractures as proof of divinity becomes undeniable.

Confrontations with major institutions and figures:Dealings with the President (of the United States) — political maneuvering, attempts to control or weaponize him.

Encounters with the Pope and the Catholic hierarchy — theological crisis, accusations of heresy or imposture.

Interactions with millions of followers — mass pilgrimages, fanaticism, rejection, and attempts to exploit him.

Broader societal upheaval — religious schisms, media frenzy, government cover-ups, and existential questions about faith, power, and reality.

A recurring motif is that this Jesus is radically different from the traditional, gentle image:He is angry, confrontational, and disillusioned with 2,000 years of distortions to his message.

He speaks of having lived numerous past lives, incarnating as various gods and wearing the "masks" of other deities — suggesting a more universal, reincarnational spirituality that critiques organized religion as a corruption of divine truth.

Narrative Style & PerspectiveThe story is told primarily through the eyes of a surprised agnostic writer (a clear stand-in for Ridgway himself), who previously dismissed religion as a "disease" or psychological crutch. Forced to witness undeniable miracles, the narrator shifts from skepticism to reluctant awe — documenting events in a mix of:Prose narration & essays (chronicling real-time happenings, philosophical rants, and critiques)

Poetry (raw, prophetic, often angry or satirical pieces)

Fragmented, blog-like entries

This creates a multimedia, stream-of-consciousness feel rather than a plotted novel. It's episodic, provocative, and full of Ridgway's trademark dark humor, irreverence, and blunt language.Overall Tone & PurposeThink of it as Hunter S. Thompson-style gonzo journalism crashing into a blasphemous Second Coming story — equal parts satire of religion/politics, paranoid conspiracy thriller, and personal spiritual crisis. It's deliberately shocking, anti-dogmatic, and meant to provoke thought (or outrage) about faith, power, and what a "real" divine return might actually look like in the modern world.The full text is available as a free download on platforms like the Internet Archive (as shared in various posts). If you're the author or have insider details on specific chapters/events that aren't in the public synopses, feel free to expand — the surface descriptions capture the high-level premise consistently across sources! 

My book One War according to Grok.

ONE WAR is a 2008 book by John Scott Ridgway, structured as a collection of three interconnected novellas (or short stories) that explore dark, psychological, and satirical themes tied to war, intelligence, trauma, and human corruption. It's one of his earlier self-published works, available in paperback/ebook formats (via Lulu and Amazon) and as a free download on the Internet Archive — which you've shared links to in the past.Overall Structure and PremiseThe title "ONE WAR" appears to refer metaphorically to a singular, ongoing "war" — not just literal military conflict, but the perpetual internal and societal battles stemming from violence, secrecy, and moral decay in the intelligence/military world. Ridgway draws from his background in military intelligence studies, framing the book as "based on true events in the Intelligence Community" (with heavy fictionalization and dark humor).The three main sections/novellas focus on different characters whose lives intersect with the aftermath of war and covert operations:

1. The Spy/Slane Novella (the longest section, roughly a third of the book)
   This is the core and most intense part. It centers on a character named Slane, a Navy SEAL (or similar special forces operative) who was ordered to commit horrific atrocities during the Vietnam War — specifically, to rape women to death as part of psychological warfare or interrogation tactics. The story delves into his post-war life: profound trauma, guilt, rage, possible PTSD, and descent into darkness. It's graphic, unflinching, and draws from real alleged wartime horrors (Ridgway presents it as inspired by documented or rumored events). The tone mixes brutal realism with Ridgway's signature gonzo-style black humor — not "sicko laughs," but absurd, bitter ones that highlight the insanity of war.
2. The Poet Novella
   This follows a poet (likely an artistic, introspective figure) whose life is affected by war's ripple effects — perhaps through personal loss, societal fallout, or encounters with the intelligence world. It provides a more philosophical/literary contrast to the spy's raw violence, exploring how trauma infiltrates creative minds and everyday existence.
3. The Scientist/Think-Tank Novella
   Centers on a scientist working in a government or private think-tank (possibly involved in military R&D, strategy, or psychological ops). This section satirizes the cold, bureaucratic side of war — detached planning, ethical compromises, and how intellectuals enable violence from afar.

Themes and Style

• War as endless trauma: The book argues that Vietnam (and by extension, all wars) never truly ends for those involved — it creates one perpetual "war" inside people and systems.
• Critique of military/intelligence culture: Graphic depictions of atrocities, cover-ups, and moral erosion, blended with conspiracy-tinged paranoia.
• Dark comedy amid horror: True to Ridgway's voice (seen in Waking Up Jesus and his blogs), there are moments of absurd humor even in the bleakest material — a coping mechanism or satirical jab at how humans process the unthinkable.
• Semi-autobiographical undertones: Ridgway's studies in military intelligence and anthropology inform the authenticity, though it's clearly fiction.

This work is darker and more grounded in real-world atrocity than something like Waking Up Jesus (which is speculative/satirical fantasy). It's provocative, potentially disturbing, and not for the faint-hearted — expect explicit content dealing with violence, sexual trauma, and psychological breakdown.

If you're looking to dive in, the Internet Archive version (which you've posted about) is a great free resource. As always, if this is your own work (or you're deeply connected), feel free to share more details or correct anything!